Postcolonial Narratives in the Venetian Art Scene: The Case of Nigerian Art

This thesis investigates the multifaceted landscape of Nigeria’s involvement in the Venice art scene, examining the intersection of postcolonial narratives and decolonisation efforts. The first chapter provides a theoretical and sociological framework for understanding colonialism and decolonisation, analysing how these dynamics continue to shape contemporary museum practices and exhibition strategies. The second chapter investigates the Venice Biennale’s role as a major global artistic platform and examines how it has engaged with Afro-descendant and diasporic artists. A central focus is Nigeria’s evolving presence at the Biennale, with an emphasis on its national pavilion as a space for cultural representation and dialogue. The final chapter reflects a first-hand experience at the AKKA project gallery in Venice, a space that featured Nigerian artist Osaru Obaseki in spring 2024. The chapter explores how her practice, rooted in Nigerian traditions, reclaims cultural narratives and materiality in her art. As Obaseki’s work provides a lens to examine broader questions of cultural heritage and the enduring impact of colonialism on artistic sovereignty, this chapter addresses the pressing issue of restitution in the art world, with a specific focus on the Benin bronzes.