The role of cultural alter-institutions as radical actors in the contemporary art world: the case of Sale Docks in Venice

Can the inefficiency of the art world in proposing new political alternatives to pressing global issues be attributed to its structural institutionalization? And thus, can "alter-institutions" be considered a potential solution to this issue? This research aims to address these questions by examining alternative institutional realities within the contemporary art world. The objective is to understand whether institutions that operate outside established rules and norms governing official art spaces can truly provide a space of freedom where more radical political alternatives can emerge, and why. Adopting an approach relying on cultural studies and feminism, and in particular drawing inspiration from bell hooks' concept of marginality (1989) as a "site of radical possibility and resistance", this thesis explores the existing marginal spaces within the art world today, the way they confront the “center” and the multiple dynamics at work. After providing an theoretical introductory overview on concepts and approaches related to the thesis’ focus, this study examines the scenario of cultural alter-institutions in Venice, offering a tangible perspective on the subject. In particular, it delves into the artistic production processes within this context, specifically examining their connection to the city's landscape and highlighting how these “alter-institutions” and their practices contribute to and affect the politics of the city. The final chapters of these study further explores the role and activities of one of the most active actors in this context, analyzing qualitative data gathered through direct interviews conducted with the activists and key informants at Sale Docks.