Sfoglia per Corso Conservation science and technology for cultural heritage
The Pigments’ Characterization of the 15th Century Bas-relief “Madonna col bambino, Santa Caterina da Siena e un priore certosino” by A.G. Amadeo through SEM-EDX and Vibrational Spectroscopic Techniques.
2023/2024 Azzarone, Monica
Preliminary Computational Approaches using Cluster Analysis for the Identification of Mixtures of Pigments in the case of Modern and Contemporary Paintings
2022/2023 Raicu, Teodora
Proposal of protective coatings for preventive conservation of carriages (late 18th - early 19th century) on display at Palazzo Pitti, FI
2022/2023 Greco, Riccardo
Scandole from Aosta: a peculiar glaze roof covering. Characterization of the traditional materials and evaluation of the possible compatibility of newly manufactured glazed tiles.
2022/2023 Caveri, Eugénie Marie
Setting up of a non-invasive methodology for painting surfaces characterization
2020/2021 Agnoletto, Federica Claudia
A significant contribution to the conservation of UNESCO sites in Armenia. Study of the state of conservation of the Geghard Monastery
2023/2024 Veneziano, Matilde
Soil characterisation to investigate the role of the burial environment in archaeological glass alteration.
2022/2023 Toniolo, Sofia
Study and Characterization of Paper Bindings from 1500 to 1700 in the Marciana National Library
2020/2021 Paro, Elisa
Study and characterization of the polychrome printing methods on Fortuny textiles by Mariano Fortuny y Madrazo (1871- 1949).
2023/2024 Farinelli, Virginia
Study of oxidation of polyunsaturated fatty acids in drying oil through a multi-analytical approach (NMR, GCMS, FTIR and ESI-ToF analysis)
2020/2021 Fazlic, Ida
The study of photodegradation stability of protective coatings used for cultural heritage materials by means of non-invasive and destructive analytical techniques.
2024/2025 Gogadis, Pavlos
Study of salt behavior and resulting damage on plasters with nondestructive techniques
2022/2023 Crotti, Igor
Unraveling Color Transformation and Material Degradation in Munch's Artworks: Ultramarine Blue and Cobalt Blue Industrial Oil Paints
2023/2024 Boracchi, Beatrice Giorgia
The wall painting in Santa Maria Assunta Basilica crypt: new insight on non-invasive analytical techniques for the analyses of traditional pigments.
2022/2023 Piña Torres, Carmen Esther
When the choice of pigments affects the stability of paint materials: the case of manganese violet in contemporary paint mixtures
2023/2024 Cardin, Giulia
Yeast as a binder in the ground layer of the Danish Golden Age paintings.
2024/2025 Giannopoulou, Theodora
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